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	<title>Buzzcuts &#187; Trista Coulter</title>
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	<link>http://buzzcuts.org.au</link>
	<description>Arts reviews by young writers</description>
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		<title>An evening of Burlesque</title>
		<link>http://buzzcuts.org.au/2012/03/an-evening-of-burlesque/</link>
		<comments>http://buzzcuts.org.au/2012/03/an-evening-of-burlesque/#comments</comments>
		<pubDate>Sat, 17 Mar 2012 09:27:38 +0000</pubDate>
		<dc:creator><![CDATA[Trista Coulter]]></dc:creator>
				<category><![CDATA[Adelaide Fringe 2012]]></category>
		<category><![CDATA[burlesque]]></category>
		<category><![CDATA[Cavern Club]]></category>

		<guid isPermaLink="false">http://expressmedia.org.au/buzzcut/?p=1564</guid>
		<description><![CDATA[Presented by Stage One Dance Studio @ The Cavern Club FRIDAY 16th March A crowded downstairs venue dimly lit with the soft hue of yellow and pink stage lights and filled with the gentle sounds of cabaret music. In this windowless room, reminiscent of a scene from the popular movie Burlesque, a sense of anticipation [&#8230;]]]></description>
				<content:encoded><![CDATA[<p><span style="text-decoration: underline;">Presented by Stage One Dance Studio<br />
@ The Cavern Club<br />
FRIDAY 16th March </span></p>
<p style="text-align: center;">
<p>A crowded downstairs venue dimly lit with the soft hue of yellow and pink stage lights and filled with the gentle sounds of cabaret music. In this windowless room, reminiscent of a scene from the popular movie<em> Burlesque,</em> a sense of anticipation fills the air as people vie for the best seat in the house. The usually retro Cavern Club has been transformed as members of Stage One Dance Studio prepare to present their debut performance <em>An evening of Burlesque</em>. Featuring songs from the movies <em>Chicago</em> and<em> Burlesque</em> as well as scores of cabaret music, <em>An evening of Burlesque</em> brings to life the sights and sounds of the Moulin Rouge (and burlesque) and is sure to delight fans of dance and musical theatre alike.</p>
<p>“I’d like to say that it (the show) is more on the classy side of burlesque” explains Kim Ewing, artistic director of Stage One, “there’s nothing too risqué, it’s more about the dance. It’s a bit girly, a bit sexy, a bit raunchy without being too in your face”.</p>
<p>At first glance the stage seems massive, stretching from one wall into the centre of the club, occupying most of the free space in front of the bar. A few lucky audience members pack the small tables and booths surrounding the stage while many others are forced to settle for seats spanning from the stage to the back stairs of the club. It seems an odd seating arrangement for such a visually rich show and I’m certainly glad I was one of the lucky ones up front.</p>
<p>As the lights dimmed the familiar tune of Cher’s <em>Welcome to Burlesque</em> began to play and the stars of the show took to the stage. This aptly chosen song was the perfect start to the show as it set the mood for the evening and introduced us to the twelve young women (most aged between 18-22yrs) who would guide us on this journey. As the show continued it became clear that the already expansive stage could have been a little bigger; particularly for the group routines. There were a few near misses as dancers performed leg extensions, long, stretching poses and fast moving twists and turns and the fact that there were no collisions is a real credit to the tight choreography and talent of these women.</p>
<p>For me, the standout routine of the night was the stunning rendition of Chicago’s <em>Cell Block Tango </em>- complete with cell doors. It was clear the dancers were enjoying every minute of this routine and while they were all amazing to watch the real standout performer for me (in this instance) was Peytyn Gericke. Her energy and facial expressions during this routine brought her character to life and she owned the stage with her attitude. Other favourite routines include the intricately choreographed <em>Express</em> and the energetic <em>Show me how you burlesque</em> which saw the girls dancing through the audience (an almost impossible task in the near capacity venue). Fans of the movie <em>Burlesque</em> may notice that some of the dance steps performed in this show closely mirror those featured in the movie and it was a real joy to see these moves performed live.</p>
<p>The show comprises group and solo routines and while most were performed to a recorded soundtrack, there were a few occasions where the dancers sang along to the songs. Soloist Samantha Adams was a joy to listen to and her powerful voice was beautifully complemented by those of her fellow dancers; it’s just a shame the overly loud music often drowned them out.</p>
<p>The costumes were absolutely stunning; from sultry black sequins to delicately laced pink and white corsets and even a slightly risqué police uniform (and I use that term lightly). The dancers looked fantastic. They all seemed completely at ease with their somewhat revealing outfits and their confidence really shone through in their performance. Any girl who can dance in a corset and heels deserves a standing ovation in my book.</p>
<p><em>An evening of Burlesque</em> was truly a feast for the senses with beautiful costumes, memorable tunes and awe inspiring routines; I thoroughly enjoyed my first (and hopefully not my last) foray into the world of burlesque.</p>
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		<title>A Modern Deception: More Diabolical Magic</title>
		<link>http://buzzcuts.org.au/2012/03/a-modern-deception-more-diabolical-magic/</link>
		<comments>http://buzzcuts.org.au/2012/03/a-modern-deception-more-diabolical-magic/#comments</comments>
		<pubDate>Sat, 17 Mar 2012 00:19:01 +0000</pubDate>
		<dc:creator><![CDATA[Trista Coulter]]></dc:creator>
				<category><![CDATA[Adelaide Fringe 2012]]></category>
		<category><![CDATA[Alex de la Rambelje]]></category>
		<category><![CDATA[Comedy]]></category>
		<category><![CDATA[Luke Hocking]]></category>
		<category><![CDATA[magic]]></category>
		<category><![CDATA[Vyom Sharma]]></category>

		<guid isPermaLink="false">http://expressmedia.org.au/buzzcut/?p=1536</guid>
		<description><![CDATA[Presented byMagical Entertainment @ Gluttony &#8211; Carry On THURSDAY 15th March (until March 18) Deep within Rymill Park, in a place called ‘Gluttony’ stands the Carry on Theatre, a seemingly average tent with suitcases and luggage adorning its outer walls. Surrounded by trees, whose far reaching branches (lit up with colourful fairy lights) create a [&#8230;]]]></description>
				<content:encoded><![CDATA[<p><span style="text-decoration: underline;">Presented byMagical Entertainment<br />
@ Gluttony &#8211; Carry On<br />
THURSDAY 15th March (until March 18)</span></p>
<p style="text-align: center;">
<p>Deep within Rymill Park, in a place called ‘Gluttony’ stands the Carry on Theatre, a seemingly average tent with suitcases and luggage adorning its outer walls. Surrounded by trees, whose far reaching branches (lit up with colourful fairy lights) create a mystical and slightly haunting effect. The Carry on Theatre is a charming place and the perfect location for a magic show.</p>
<p><em>A Modern Deception: More diabolical magic</em> combines comedy with magic to create a hilarious – and awe inspiring – show which will tickle your funny bone and leave you wondering how they hell they do it. In the lead up to the show I honestly had no idea what to expect, but with a word like ‘diabolical’ in its title I should have known I was in for one interesting night.  As I entered the tent my eyes fell upon the random assortment of objects placed on the simple wooden stage. There was a sketch pad, a child’s ball and a mysterious silver box dangling from the ceiling on stage left – all seemingly normal objects, until the performers got hold of them that is. Bring your childlike curiosity and sit back and relax as performers Vyom Sharma, Luke Hocking and Alex de la Rambelje take you on fast paced, high energy journey into the realm of impossibilities. From card tricks to disappearing money and more, prepare to be amazed as you witness some truly diabolical magic.</p>
<p>Luke, Vyom and Alex are three guys who are clearly passionate about what they do; rather than bombard the audience with tacky tricks using semi hidden devices, the guys combine fast paced, fluid movements with wise cracking scripting to create some of the greatest illusions I have ever seen. It didn’t seem to matter how focussed I thought I was or how hard I watched their every move the guys always found a way to shock and amaze me. Even when they were filming their movements on camera (and projecting it onto a large screen located centre stage) I still failed to fault their techniques.</p>
<p>Watching Alex, Luke and Vyom perform was like watching lifelong friends catch up for a drink; they obviously enjoy performing together and this on stage chemistry created a palpable feeling which seemed to echo around the tent. Their energy was contagious and the room buzzed with a sense of excitement and anticipation which only served to fuel the performance. Each man had their own unique approach to performing which allowed their individual personalities to shine through and their ability to laugh at themselves (as well as each other) complimented the comedic scripting perfectly and created a relaxed atmosphere in which the audience could lose themselves.</p>
<p>There were also plenty of opportunities to get involved in the action and this, for me, was the standout feature of this show. Whether you’re helping with a magic trick on stage or simply shouting out items in an improvised question and answer session, the high level of audience interaction helped to maintain audience interest and engulfs you in the excitement of the show. I was so eager to join in the fun I found myself sitting up straight in my chair (like an eager school child) every time they called for a volunteer, silently praying they would choose me. The guys seemed to focus their attention on rows closest to the stage when choosing volunteers so if you want to increase your chances of getting involved try to secure yourself a front row seat (like I did). If you are lucky enough to get chosen you may even come away with a souvenir to help you remember the night (thanks for the card Vyom!).</p>
<p>Just as good magicians never reveal their secrets, a good reviewer never spills the beans (sorry readers) – You’ll just have to see it for yourself, but hurry, the final day is March 18! From its comedic opening introduction (courtesy of ‘The Voiceover Guy’) to its jaw dropping finale <em>A Modern Deception</em> had me hooked. If you are ready to (re) discover the wonder of magic than this show is for you, a truly magical performance.</p>
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		<title>Ghost Town: Inhabitants of the abandoned city</title>
		<link>http://buzzcuts.org.au/2012/03/ghost-town-inhabitants-of-the-abandoned-city/</link>
		<comments>http://buzzcuts.org.au/2012/03/ghost-town-inhabitants-of-the-abandoned-city/#comments</comments>
		<pubDate>Fri, 09 Mar 2012 09:19:29 +0000</pubDate>
		<dc:creator><![CDATA[Trista Coulter]]></dc:creator>
				<category><![CDATA[Adelaide Fringe 2012]]></category>
		<category><![CDATA[Dance]]></category>
		<category><![CDATA[Ghosts]]></category>

		<guid isPermaLink="false">http://expressmedia.org.au/buzzcut/?p=1273</guid>
		<description><![CDATA[Presented by The 8068 Project @The Myer Centre Theatre, Level 4 THURSDAY 8th March (March 10) Have you ever wondered what happens to a building when it’s abandoned? Or to the displaced souls who once called it home? Ghost Town: Inhabitants of the abandoned city brings together six unnamed characters, all lost, all seemingly forgotten [&#8230;]]]></description>
				<content:encoded><![CDATA[<p><span style="text-decoration: underline;">Presented by The 8068 Project<br />
@The Myer Centre Theatre, Level 4<br />
</span><span style="text-decoration: underline;">THURSDAY 8th March (March 10)</span></p>
<p style="text-align: center;">
<p>Have you ever wondered what happens to a building when it’s abandoned? Or to the displaced souls who once called it home?</p>
<p><em>Ghost Town: Inhabitants of the abandoned</em> city brings together six unnamed characters, all lost, all seemingly forgotten when the structures they called home were abandoned. United (and divided) by their newfound anonymity and haunted by their memories of yesteryear they wander the world searching for purpose and above all, a home.</p>
<p>Exploring themes such as abandonment and loss (of both hope and purpose) and the struggle to accept the circumstances that fate and life deliver; <em>Ghost Town</em> combines belly dancing, hip hop, ballet, contemporary and African dance techniques with physical theatre and acting to produce a high energy performance with a clever (and at times cryptic) narrative. Set to a musical score which includes jazz, early carnival music and popular songs from 1920’s and 1930’s America, <em>Ghost Town</em> takes you on a thought provoking journey through the lives of six interesting women. Each dancer brings her character to life in their own unique way; from their fast moving, high energy dance routines and emotive narratives to their facial expressions the dancers put 110% into each performance. There were a few times where some performers confused their lines but, like true professionals, they simply corrected themselves and carried on.</p>
<p>For me the real standout performer was the Town Mayor who spends a great deal of the show wheeling around her office chair (a pitiful reminder of her past life). Lost in a sea of amnesia she tells the story of her once grand city and laments the loss of her title and identity. Be sure to keep your eye on the Ringmaster, who performs a mind blowing routine that will leave you wondering just how anyone could move their body like that.</p>
<p>The performance takes place in the unoccupied Fernwood Gym, located on the fourth floor of the Myer Centre (below the long forgotten Dazzleland, an indoor theme park which closed in 1998 and has been abandoned since 2009). Within its expansive back room sits a small, simply designed stage. A white sheet adorns one wall and is the screen on which images of abandoned theme parks and malls will be projected. A tall ladder sits just off to the right while chicken wire and a small fence on wheels wait opposite; a selection of plastic chairs line the area in front of the screen. At first glance the area looks haphazardly thrown together but as Bridgett Cains, <em>Ghost Town</em>’s producer (and performer) explains, this is all part of the shows design. “We wanted to keep the feeling of abandonment, to create a ramshackle kind of feel”.</p>
<p>While the show&#8217;s  website promises “a moving backdrop of images”, technical difficulties meant the projector was not operating in time for opening night which was a real shame, as the images would have added to the overall impact of the show. Audiences can expect to see images from locations including the 6 Flags Theme Park in New Orleans (abandoned after Hurricane Katrina) and Pripyat, a European city abandoned after the 1986 Chernobyl disaster. These and others inspired director and choreographer Cera Byer: “I started thinking about when theme parks and malls close, they never tear them down. Then nature takes over and it’s creepy and haunting and weird in a way that you want to look at”.</p>
<p><em>Ghost Town</em> is the debut performance from The 8068 Project and is a collaboration between Australian dancers and San Francisco based Byer. Named for the distance between Adelaide and San Francisco it may surprise viewers to learn that most of the cast members met each other for the first time on Sunday 4 March. A week of intense group rehearsals followed and the script and soundtrack were finalised just days before opening night! If the dancers were flustered by this seemingly impossible deadline it didn’t show; <em>Ghost Town</em> is a raw and thought provoking performance and is a must see at this year’s Fringe &#8211; it’s just a shame there are only three shows.</p>
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		<title>The Journey Home: An interplanetary guide to the solar system in 3D</title>
		<link>http://buzzcuts.org.au/2012/03/the-journey-home-an-interplanetary-guide-to-the-solar-system-in-3d-2/</link>
		<comments>http://buzzcuts.org.au/2012/03/the-journey-home-an-interplanetary-guide-to-the-solar-system-in-3d-2/#comments</comments>
		<pubDate>Wed, 07 Mar 2012 15:01:39 +0000</pubDate>
		<dc:creator><![CDATA[Trista Coulter]]></dc:creator>
				<category><![CDATA[Adelaide Fringe 2012]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Space]]></category>

		<guid isPermaLink="false">http://expressmedia.org.au/buzzcut/?p=1209</guid>
		<description><![CDATA[Presented by eResearch SA @ 3D Visualisation Lab TUESDAY 6th March (until March 22) &#160; Making its second appearance at the Adelaide Fringe (after a sold out season in 2011) The Journey Home, presented by eResearch SA, is an animated, 3D movie which takes viewers on a full colour, high definition tour of our solar [&#8230;]]]></description>
				<content:encoded><![CDATA[<p><span style="text-decoration: underline;">Presented by eResearch SA<br />
@ 3D Visualisation Lab<br />
TUESDAY 6th March (until March 22)</span></p>
<p>&nbsp;</p>
<p>Making its second appearance at the Adelaide Fringe (after a sold out season in 2011) <em>The Journey Home,</em> presented by eResearch SA, is an animated, 3D movie which takes viewers on a full colour, high definition tour of our solar system. The film begins with an introduction to each planet, exploring features such as their individual appearance, their atmospheres, and how they compare to Earth and each other. It also examines the types of technology (past and present) being used in space exploration and poses questions about the future of exploration and the possibility of life beyond Earth.</p>
<p><em>The Journey Home </em>was created using images captured by space probes Voyager, Cassini (which is still in orbit around Saturn) and Mariner 10 (which was the first probe to visit Mercury). This combined with the film&#8217;s use of sweeping long shots and close ups provides viewers with a realistic view of each planet. You will see every crater on the moon and be able to marvel at the beauty of Saturn’s famed rings, all brought to life with vivid colours and stunning imagery.</p>
<p>Adelaide University’s Visualisation Lab plays host to this production and provides an intimate setting for an evening of space exploration. With a seating capacity of about 35 people, the air conditioned room provides audience members with enough open space to sit comfortably and 3D glasses are given at the door.</p>
<p>The 3D element of this film was amazing and from my seat in the front row I truly felt like I could reach out and touch the planets. I really enjoyed being able to view the planets from multiple angles as they rotated on the screen and it was fascinating to watch asteroids drift by, or see smaller planetary moons complete their orbit.</p>
<p>“What we try to do with the 3D element is to try to give a sense that these are real worlds” said Dr Padric McGee, who developed and narrates the film. The ‘reality’ of these planets is what makes the film so appealing. From their mountainous terrain to their far stretching trenches and frozen lakes it was a real treat to be able to view the planets as more than a 2D computer generated object.</p>
<p>Originally designed for younger, school aged audiences ‘The Journey Home’ uses clear, concise language (evenly broken by dramatic pauses or scores of majestic music) to present detailed information about the solar system to the audience without overloading them with facts &#8211;  making for an enjoyable viewing experience regardless of your age. A variety of planets and concepts are explored throughout the one hour presentation, and the film&#8217;s smooth transition from one topic to another helps maintain audience interest.</p>
<p>Dr McGee is clearly passionate about this topic and his willingness to share his knowledge really encourages you to explore the ideas presented in this film further in the Question and Answer session which follows the presentation. While he acknowledges that people would have their own motivations for wanting to learn more about our solar system, Dr McGee believes there is one shared result that can come from space exploration.</p>
<p>“I think that knowing more about what the other planets are like allows us to see how our planet is unique” said Dr McGee, “The fact that there is no other planet in our solar system like Earth. It is the only place (at the moment) where we can live. It helps us to appreciate the fact that earth is our home and it’s our only home”.  I certainly left with a deeper understanding of the complexity of and appreciation for the beauty of our solar system. Whether you’re a keen astronomer or merely curious about space and the worlds beyond ours ‘The Journey Home’ is a fun and informative exploration of our solar system.</p>
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		<title>@ the Museum: Medieval Streetfighter</title>
		<link>http://buzzcuts.org.au/2012/03/the-museum-medieval-streetfighter/</link>
		<comments>http://buzzcuts.org.au/2012/03/the-museum-medieval-streetfighter/#comments</comments>
		<pubDate>Sat, 03 Mar 2012 16:54:35 +0000</pubDate>
		<dc:creator><![CDATA[Trista Coulter]]></dc:creator>
				<category><![CDATA[Adelaide Fringe 2012]]></category>
		<category><![CDATA[Indes Fechtschule]]></category>
		<category><![CDATA[medieval combat]]></category>
		<category><![CDATA[Medieval Martial Arts]]></category>

		<guid isPermaLink="false">http://expressmedia.org.au/buzzcut/?p=971</guid>
		<description><![CDATA[Presented by Indes Fechtschule @ Back Armoury Lawns at the South Australian Museum THURSDAY 1st March (until March 10) Advisory: This show contains frequent depictions of violence. Lords and ladies, gather if you will to bear witness as Adelaide’s bravest knights do battle. They fight for honour, for glory and ultimately, for victory. Who will [&#8230;]]]></description>
				<content:encoded><![CDATA[<p><span style="text-decoration: underline;">Presented by Indes Fechtschule<br />
@ Back Armoury Lawns at the South Australian Museum<br />
THURSDAY 1st March (until March 10)</span></p>
<p style="text-align: center;">
<p>Advisory: This show contains frequent depictions of violence.</p>
<p>Lords and ladies, gather if you will to bear witness as Adelaide’s bravest knights do battle. They fight for honour, for glory and ultimately, for victory. Who will conquer and be named Adelaide’s first Medieval Streetfighter champion?</p>
<p><em>@ the Museum: Medieval Streetfighter</em>, presented by Indes Fechtschule, is an action packed display of medieval martial arts performed to a soundtrack provided by rock band Everything Will Be Metal. Held in the Back Armoury Lawns at the South Australian Museum (a hard location to find if you are unfamiliar with the labyrinth of alley ways and gardens that exist there) this event combines medieval martial arts with comedy to bring history alive for the audience.</p>
<p>An impressive collection of swords, daggers, spears and axes take centre stage in the simply designed arena and the cobblestone buildings behind the museum add an air of medieval charm to the space. As the sun set the arena seemed to come alive and the overhead lights reflected stunningly off the sword blades and full body armour worn by the fighters. It’s just a shame such archaic seating was provided; awkward metallic folding chairs with hardened backrests made for a less than comfortable viewing experience and judging by the whispered comments from those around me, I was not the only one who thought this.</p>
<p>After a short delay (what’s an opening night without technical problems) the show was underway and we were introduced to the brave knights and squires who would do battle for our entertainment; and with names like Mark the Insane and Dylan the Dishonourable you know you’re in for one exciting night. The show features two distinct types of fighting displays. Choreographed fights are designed to demonstrate particular weapons or fighting styles and each had its own storyline, be it brothers brawling over a ‘wench’, a drunken bar fight between two hot headed knights or a murderous conspiracy  pitting brother against brother. Meanwhile Master Displays, which usually featured lead knights Captain Indes and Bryan the Irish master, were fast paced, no holds barred free fighting performances designed to show the audience just how brutal and challenging a medieval fight could become. The complete lack of choreography in these displays makes for exhilarating viewing and you are encouraged to cheer on your favourite knight throughout the evening. MC Catch Tilly provides a humorous commentary and enlightens the audience with a series of historical facts about the weapons, armour and fighting techniques being used within the show, making for an informative (as well as entertaining) night out. As the evening draws to a close two maidens are called upon to join MC Tilly on stage and I highly recommend volunteering, as it is quite a novelty to watch two knights duelling for your honour.</p>
<p>Indes took a risk combining modern rock music with medieval fighting and for me, it had mixed results. On those few occasions when the music was perfectly timed with the blows of each weapon it added a sense of drama to the performance, however, it also had a tendency to drown out the voices of the fighters. The fighters themselves displayed confidence and skill on the field, expertly wielding their weapons and exhibiting real control in each of their moves.</p>
<p>Despite the period costumes and presence of “characters”, Indes Fechtschule’s head of school Mark Holgate (aka Captain Indes) insists this production is more about the fighting itself. “The school is interested in historical European martial arts; we’re not a re-enactment or theatre group. Our focus is on the martial arts and developing these ancient skills” he said.  “We want to get what we do out there and connect with people”.</p>
<p>Indes Fechtschule is Adelaide’s first historical fencing school and is the only historical group in Adelaide to include strikes to the head and face (commonly used during medieval battles) within their fight sequences, which is why its students wear fencing masks. Medieval Streetfighter is their first appearance at the Adelaide Fringe and it is an outdoor event so dress for the weather as the enclosed courtyard can become quite chilly once the sun sets.</p>
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		<title>Back of the Bus</title>
		<link>http://buzzcuts.org.au/2012/02/back-of-the-bus/</link>
		<comments>http://buzzcuts.org.au/2012/02/back-of-the-bus/#comments</comments>
		<pubDate>Sun, 26 Feb 2012 06:20:49 +0000</pubDate>
		<dc:creator><![CDATA[Trista Coulter]]></dc:creator>
				<category><![CDATA[Adelaide Fringe 2012]]></category>
		<category><![CDATA[Adelaide Fringe]]></category>
		<category><![CDATA[Back of the Bus]]></category>
		<category><![CDATA[Java Dance Company]]></category>

		<guid isPermaLink="false">http://expressmedia.org.au/buzzcut/?p=739</guid>
		<description><![CDATA[Presented by Java Dance Company Pick Up Point: Adelaide Town Hall SATURDAY 25 Feb 2012  (until March 11) &#160; On a sweltering Saturday night I boarded an ordinary Kanga Kan charter bus and was taken on an extraordinary journey through the streets of Adelaide. ‘Back of the Bus’, presented by Java Dance Company combines physical [&#8230;]]]></description>
				<content:encoded><![CDATA[<p><span style="text-decoration: underline;">Presented by Java Dance Company<br />
Pick Up Point: Adelaide Town Hall<br />
SATURDAY 25 Feb 2012  (until March 11)</span></p>
<p>&nbsp;</p>
<p>On a sweltering Saturday night I boarded an ordinary Kanga Kan charter bus and was taken on an extraordinary journey through the streets of Adelaide.</p>
<p>‘Back of the Bus’, presented by Java Dance Company combines physical comedy and dance to createa high energy show performed almost entirely on a moving bus. A character based performance, <em>Back of the Bus</em> has no concrete storyline. Instead the audience is introduced to a handful ofcharacters through a series of tightly choreographed solo and group routines performed to an enchanting and, at times, otherworldly soundtrack of French inspired tunes (with a few well known classics thrown in). Each performer has their own unique role to play and they have clearly invested a lot of time and effort into developing their character’s individual persona. From their posture and facial expressions to how they use the limited space within the bus, the performers succeed in bringing each character to life for the audience.</p>
<p>As we boarded what was to become our moving stage my mind raced with possibilities, but no amount of speculation could prepare me for the stunning show that was about to take place. We had barely left Adelaide Town Hall (the pickup point and only previously known location for this show) when the music and performing began. A fast paced, comedic opening routine introduced us to one of many characters who would join us on our travels and set the pace for a spontaneous adventure through Adelaide.</p>
<p>While it promises “a site specific dance tour of Adelaide” the exact locations are not revealed to the audience prior to the event and according to Java’s co-founder and artistic director Sacha Copland, this adds an exciting and mysterious feel to the show. “I love the idea of travel in Limbo”, Ms Copland said. “In a way it’s free time; you know it’s not time where you have to do anything so there’s a sort of liberation in it”. Indeed, once the tour began I was far too enthralled in the excitement andanticipation of the show to notice where I was within the city.</p>
<p>If the performers were affected by the intense heat or unpredictable movements of the bus they certainly didn’t show it. Their energy was contagious and I often found myself bopping along to the beat, eagerly awaiting each new routine. The spontaneity of the show is its biggest drawcard, you never know when or where a new character may appear and this helps maintain audience interest. I found myself surprisingly alert, watching everyone on the bus, just waiting for the next lot of music to begin.</p>
<p>Java’s website describes the company’s style as “Dance that gets underneath your skin” and it’s notuntil after the show that you come to understand what this really means. The performers get in yourface and in your space so be prepared to leave any preconceived notions of ‘personal space’ at the door.</p>
<p>“The performers will invade your personal space quite a bit” explains Ms Copland, which allows the audience “to be inside the character’s journey rather than watching it from the outside”. This unique approach to audience interaction adds a whole new level of excitement to the performance and I loved being able to interact on such a personal level with the characters. You never knew when or if a character was going to approach you or just what they had planned and this made the journeymore thrilling. The limited seating on the bus created an intimate setting for the production and I loved how the performers took the time to approach each audience member at some stage duringour journey.</p>
<p><em>Back of the Bus</em> is Wellington based Java’s first performance in Adelaide and I pray it won&#8217;t be their last. Whether you’re a fan of dance or just intrigued by its concept, <em>Back of the Bus</em> is sure to delight and astound you. From its hugely funny opening sequence to its toe tapping finale it had me hooked. The only problem with this show is that one hour just wasn’t enough.</p>
<p><em>Back of the Bus</em> runs from 24February to 11 March, tickets available through Fringetix.</p>
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