Kate Prendergast discovers that Dr Professor Neal Portenza's interactive comedy show is crude, transgressive, obscene and really quite entertaining in a titillatingly traumatic kind of way.

Justine Spencer scopes out the best of UK Fringe Comedy, hoping that if the other Fringe comedy shows are just as hilarious, she'll develop abs by the end of the festival from laughing so darn hard.

Aided by the comic plangency of his tiny hand-held keyboard, a tender absurdity is drawn out for which the artist behind such award-winning creations as She Was Probably Not A Robot, The Beast and Doctor Brown and His Singing Tiger has become known and cherished.

Evangeline Perry's review on Trixie and Monkey: The Time is Ripe

Amy Thomasson goes to the heart of a show that plunges audiences face to face with complete sensory terror.