Among the farce, eccentricity, catchy songs, and a zeal impossible to fake, Fish in the Sea still gave refreshing insight into the trials and tribulations of relationships. Jessica Clausen reviews.

Puddles, the sad clown with a tremendous gift for singing, serenades Fringe World Festival crowds in a delightfully touching and riotously funny dance party. Jasmine Seabrook-Benson reviews.

Shaz has the spark and joie de vivre of Dame Edna, but lacks Barry Humphries’ comedic punch. I was left logically dissecting her one-liners, understanding that intellectually they had possibility for a laugh, but still lacked that ‘special touch’.

Le Carousel Bleu is red-hot and raunchy cabaret — a stellar example of how to do a Fringe Festival staple justice. Those looking for displays of flesh are not left wanting, but it's the acrobatics, juggling and fire-twirling that truly stand out. James Burnside reviews.

LUMINOUS warrants — excuse the pun — a glowing review, as it delivers unique psychedelic circus and theatre replete with body paint, dubstep, and death-defying acrobatics. Peri Watson reviews.