Michelle/Ryan Lunicke takes us on hir¹journey of self-discovery in “Ze”: Queer as F*ck!. Warning of adult content and glitter (amazing mix), Lunicke laughs, yells, and whispers hir way through recollections of queer existence. Once in Tuxedo Cat, the audience for Queer as F*ck were called to go through to the Rivers Studio. As we headed in, […]
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Articles by Ceri Glenie:
Rhinoceros, Adelaide Fringe Festival 2016
Eugéne Ionesco’s modern classic, Rhinoceros, employs absurdism to demonstrate the dangers of conformity. Brought to the stage by an emerging troupe led by Jasmine Leech, this rendition of Rhinoceros is entertaining, faithful to Ionesco’s vision, and aesthetically pleasing. The whole production had a very classic theatre feel to it, which definitely suits Rhinoceros well, given […]
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The Pianist by Thomas Monckton & Circo Aereo, Adelaide Fringe Festival 2016
Thomas Monckton’s one man show, The Pianist, reminded me of watching a kitten play with its tail for an hour – you can’t look away. He’s also ridiculously energetic, confused, and excitable. He tries very hard to make everything exactly perfect and, in so doing, causes things to go terribly wrong. You can’t help but […]
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Satori, Adelaide Fringe Festival 2016
Under the pen name Satori, Adelaide poet Charlie Brooks presents a show under the same name. A performance which blends hip hop, contemporary poetry and classic literature, Satori is uniquely styled, Shakespearean in acting, and reminiscent of modern slam poetry. The Bibliotecha Bar is a great venue for Satori. It’s intimate, decorated with walls lined with books, and […]
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The Human Project v1.1, Adelaide Fringe Festival 2016
Questioning the concept of perfection, The Human Project v1.1 endeavours to examine human existence as if looking at it from the outside. Ceri Glenie reviews.
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