Wilting in Reverse throbs with lonely-hearted dream textures, aches over love and loss, and is obsessed with the silly yet sublime fragility of the earth and its silly yet sublime inhabitants. Kate Prendergast reviews.
Continue ReadingWilting in Reverse throbs with lonely-hearted dream textures, aches over love and loss, and is obsessed with the silly yet sublime fragility of the earth and its silly yet sublime inhabitants. Kate Prendergast reviews.
Continue ReadingThe hour is full of skits and moments that inspire both raucous laughter and nervous twitters. This is the brilliance of the Lords; their commitment to character and scene are utterly endearing. Jen Perry reviews.
Continue ReadingA worst-of-Australia-Day type, Dave is a rabid, drawling, bigoted larrikin, whose pet peeves include ‘twitter feminism’, dikes at mikes, and the unsportsmanlike configuration of the female anatomy.
Continue ReadingNot for the faint of heart, this joyfully depraved pair pushes the limits to expose the absurdity of so-called norms with nudity, Emu Export and prosthetic limbs.
Continue ReadingScott Wings' performance in Icarus Falling soars above the pretensions oft associated with physical theatre and performance poetry.
Continue ReadingPeter Combe gets both chubby bubs and nostalgic grown-ups embracing all that is silly, Kate Prendergast writes.
Continue ReadingA cracking comedy show that sets the record straight about feminism in the 21st century.
Continue ReadingThe Jollyboat brothers get the crowd shaking their (pirate) booty, Kate Prendergast writes.
Continue ReadingKate Prendergast explores one woman's take on all WOMANz.
Continue ReadingKate Prendergast discovers that Dr Professor Neal Portenza's interactive comedy show is crude, transgressive, obscene and really quite entertaining in a titillatingly traumatic kind of way.
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