• Kevin Hawkins

Articles by Kevin Hawkins:

Melbourne Fringe 2012

Elbow Room: Rule of Three

No Comments 10 October 2012

You are ushered into a dark room and told to sit next to a corpse. The motionless figure is lit up by two rows of candles, each one flickering and letting off an uncomfortable smoky smell. It reminds you of a room in Madame Tussaud’s where all the disembodied wax figures hang from the ceiling. […]

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Melbourne Fringe 2012

Pride Hard

No Comments 08 October 2012

If you have ever read a Jane Austen novel, you will know how easy it is for the author’s flowery vocabulary to subconsciously infiltrate your real-life dialogue. As far removed as our reality may be from 18th century Britain, something about Austen’s work transforms cars into “mechanical modes of transport”, and chips into “potato slices […]

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Melbourne Fringe 2012

God of Carnage

1 Comment 06 October 2012

There’s a certain joy in watching personalities clash with one another on stage – yet that joy is somewhat nullified when you can identify with the victims of the theatrical parody. Picking up on the idea that parental relationships can be just as tumultuous as those of children, God of Carnage is a clever – but […]

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Melbourne Fringe 2012

Lessons with Luis – Luis Presents: Kidney Kingdom

1 Comment 04 October 2012

Awkwardness is evidently the new funny. I never thought this was possible, given the seemingly polar relationship between social discomfort and humour – but when you find yourself cracking up over a nonsensical joke about dentists, featuring puns not even your dad would dare make, you know the times are changing. Lessons with Luis represents […]

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Melbourne Fringe 2012

Today Tonight, Tomorrow the World

1 Comment 03 October 2012

Nicholas J. Johnson won’t be the funniest man you see at this year’s Melbourne Fringe Festival, but he may well have the greatest mainstream appeal. In the context of a grassroots cultural arts event – where the word “mainstream” is about as welcome as an X-Factor contestant – this could be construed as a backhanded […]

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