Rip, Drag & Ruminate is a double bill dance production by AC Arts’ graduating dancers, which explores social dynamics and needs in a technology-saturated culture. The dancers are physically impressive with tightly executed choreography. Patches of Society is a charming but disjointed show and was overshadowed by the more conceptually complete personwhowatchestoomuchtelevision. AC Arts is […]

Playing to a crowd of thirteen, Larry Dean starts his show as nonchalantly as possible. No one announces him, no one says a word. If you didn’t know who he was you might think a stranger had wandered in and just started talking into the mic. That’s because Dean isn’t playing the Garden, or 100+ […]

Hands down—the funniest thing you will see at this year’s Fringe. Staged in Tuxedo Cat’s Mayall Room (upstairs in a renovated office building—there has been charm bestowed here upon an otherwise utilitarian space), The Sound of Nazis mixes the musical with history to great effect. No stone is left unturned, and every aspect of the […]

The guys from DamnitLeanne certainly have their certificates in smart-arsery; their quick fire responses had the audience laughing throughout Law and Disorder. All seven performers present a great show, filled with puns, jokes and general disorder. Being an impro show, each performance is unique, demonstrating the artists ability to engage the audience without a script. […]

Despite its alluring description, A Butterfly Effect was completely disappointing. While it did explore, as promised, the influences of decisions on a wide range of people, it wasn’t engaging. The performance was disorganised and while there was some laughter in the audience, it was sparse and far between. Every night is a different show and […]