Aided by the comic plangency of his tiny hand-held keyboard, a tender absurdity is drawn out for which the artist behind such award-winning creations as She Was Probably Not A Robot, The Beast and Doctor Brown and His Singing Tiger has become known and cherished.

Evangeline Perry's review on Trixie and Monkey: The Time is Ripe

Amy Thomasson goes to the heart of a show that plunges audiences face to face with complete sensory terror.

Rhys Tarling checks out Scott Dooley's act and the results aren't as hilarious as he expected.

The antics of 70s British icons Basil, Sybil and Manuel leave you wondering if you'll ever be able to sit through a borning dinner again, Antonina Heymanson writes.